The Second Dimension in Art

The question of art in the context of the more general concept of creativity has to be addressed from the foundations of science. The subjective notion of creativity, which still persists in the humanist attitude to things, has to be resolved and broken, indeed abrogated as it were, as an infantilic, or exilic dream. Admittedly the idea of a creative generator ensconced in the human soul does not stand the test of empirical query. It may turn out to be true if possibilities of other dimensions of resources and energy were assumed to be true – the question whether a “spirit”like medium is part of the dynamics (as the ancients had suggested) is one which may not be yet encompassed by the perceptual instruments available to science. It is difficult to visualize gravity as described in the physics of relativity for example for which there is a mathematical model, already in place in the hypothesized model of the “curvature of space” for example. Einstein’s explanation of gravity could be encountered as a mathematical possibility, although as easily as a tangible working mechanism.